Reviving forgotten manuscripts

Although the market continues to be flooded with self-published books, I understand that the torrent is slowing down. Maybe this is because, having realised that indie authorship does not provide an easy path to best-seller status, many less committed writers are giving up. Another reason could be that the backlog of old manuscripts, which had been rejected for traditional publication but can now be published by authors themselves, is starting to clear. Having taught myself the basic ropes by self-publishing Persons not Diseases and my trilogy of Three Novellas I am now looking at reviving my own backlog.

The first adult novel I ever wrote is over thirty years old. I recently rescued its faded typescript from the drawer where it has been languishing all this time, and have been converting it to electronic format. It is a gently satirical mystery / romance set in an English mental asylum in the 1980s, and in many ways it describes a forgotten world, for so many aspects of life have changed. Today’s readers may find it hard to believe that, for example, staff used to smoke and drink on duty, did not have computers or mobile phones, or that orders from male doctors were so readily obeyed by nurses and patients alike. Parts of the text seem quite embarrassing or outrageous to my more sedate older self – should I defer to political correctness and tone them down? Should I publish the book at all?

Even after all these years it is difficult for me to look objectively at this first novel, remembering so clearly as I do the passionate enthusiasm with which I wrote it and my bitter disappointment when a series of rejection letters arrived in the post. I am hoping that a few trusted people will agree to read it and give me some kind but honest feedback.

Discounts and giveaways?

I have mixed feelings about self-published books being given away free of charge. This practice seems to devalue all the hard work of their authors, and can perpetuate the belief that they are inferior to books from traditional publishers. Although a free ebook will usually get far more downloads than one which carries a price tag, many of these will be from undiscerning readers who are not really interested in the content and may never even look at it at all. But in some circumstances, offering free books is worthwhile.

Some of the authors who write about self-help, educational or spiritual topics have altruistic motives, and would rather reach the widest possible audience than make any money. My little Bach flower book, which has always been free, continues to get thousands of downloads per year.

Turning to the profit motive, free books can be a “loss leader” to promote sales of other titles. This easy-to-use method of marketing is particularly recommended in the case of a series; readers who download the first one for free, and enjoy it, may go on to purchase the later ones too. For the reasons given above I am reluctant to use this strategy, though I may change my mind one day. But when sales of my own fiction books were flagging after Christmas, I decided to experiment with reducing their prices: currently the three novellas are just 0.99 USD each, and the box set is 2.99 USD. Details can be found on my Smashwords and Amazon author pages.

A variant of free promotion which I do like using is the Goodreads Giveaway programme, in which the print version of my Three Novellas will be included until 11th March. ( Click here to enter the draw for a free copy.) Winners in this programme are encouraged to post reviews on the Goodreads site, and they often do – hopefully these will be positive reviews, though even negative ones are better for publicity purposes than none at all.

Lastly, there is the option of sending free copies to journals and book blogs for review. One of the things I miss from my traditional publishing days is having this done for me, and I have only just started to explore it in my indie publishing career. I know that many professional reviewers are overwhelmed with submissions and cannot deal with them all, so I prefer to approach those who will accept ebooks. Sending out print copies without any promise of a response can prove a costly and futile exercise.

 

Box set

A box (or boxed) set is a group of related items – books, recordings of music or films, games – packaged together and sold as a single unit. With traditional book publishing these collections are literally presented in a cardboard box. With modern print-on-demand and electronic publishing the box is a virtual concept, though some ebook sets do have 3D covers. The set may contain either a series of titles arranged in the correct order, or a selection of related titles by one or more authors. Usually costing considerably less than than the sum of their individual parts, they are currently very popular. My own first (and last?) box set Three Novellas: Carmen’s Roses, Blue Moon for Bombers, The Windflower Vibration combines the three short books which I published last year and is available in paperback or ebook versions from Amazon and other online stores.

It can be very easy to create a box set just by combining the original files, and I would certainly advise against making non-essential changes to their content. But when I made mine I did take some time to merge the front matter and back matter; to correct a couple of typos which I had missed before; and to adjust for any discrepancies in formatting. For example I found that my use of italic script as opposed to quotation marks, and of UK as opposed to US spelling, had not been consistent between the three books.

In Carmens Roses, an Englishwoman visits Auckland in the hope of recovering from a serious illness, and of finding forgiveness for an incident related to a love affair from her past. Blue Moon for Bombers is set in middle England, and tells the story of a World War Two airman coming to terms with his repressed trauma, interwoven with a modern romance. In The Windflower Vibration, featuring some of the same characters and settings as the previous books, a sudden death on an Auckland beach sparks off a quest to unravel a complex web of mysteries spanning two centuries and two hemispheres. Many people have asked me if they are autobiographical, and the answer is “not exactly”, but they do reflect some of the themes from my own life: moving from England to New Zealand, practising both orthodox and alternative medicine, interests in animals, music, aviation and the paranormal. Here again is the link to the Amazon page – if you are interested please have a look, and share with your contacts – thank you.

 

The joys and challenges of indie authorship

Three years ago I made the transition from traditionally published writer to indie author, and have now self-published three non-fiction titles and three novellas. There were plenty of mistakes and frustrations, especially to begin with, and I still have a lot to learn. But, overall, being an indie author has brought me as much satisfaction as anything I have done in my previous careers. New Year seems a good time to review my personal perspective on self-publishing, and some of what follows may be useful to others just starting out on this path.

I like being free to write what I want, without having to fit into an accepted genre or follow a formula. This does however make it more difficult to choose the most suitable categories and keywords through which potential readers can discover my books.

I like being able to upload my books as soon as I am ready, without having to wait several months for the traditional publishing process to run its course. But because modern self-publishing is so fast, cheap and easy it is tempting to go into print too soon without taking time and care to make both content and presentation the best they can be, thereby adding to the glut of mediocre books which give self-publishing a bad name. So I try to be patient, asking several other people to review my draft manuscripts and point out the errors which I have missed, and disciplining myself to check through the final version several times in the vain hope that not a single typo slips through the net.

I like being able to choose the layout, cover image and price of my books. Though I don’t have either the skills or the software to handle all the technical aspects myself, I have found an expert formatter and an expert cover designer to help, and it is a pleasure to work with them both.

I like being able to check my sales figures frequently, even if there are not very many paid ones. With literally millions of books available, readers are spoiled for choice, so I count every sale as cause for celebration. Free books are a different matter – thousands of people have downloaded the free e-books which I have offered from time to time, though I do wonder how many of these free copies have actually been read.

I still can’t really say that I like marketing, which seemed a huge challenge at first, alien to my personality and training. Exploring ways to publicise my work has been a steep learning curve and I have found some methods which I do enjoy, for example creating a proper mailing list and email newsletter. But I find that marketing takes up too much of the time which could have been spent on actual writing. My one experience of paying someone else to do it for me proved an expensive failure.

The world of books has been transformed in the last few years, and it will be interesting to see what the future will bring. My hope is that self-published titles will be fewer in number but better in quality, though I don’t know how this can be achieved.

Completing the trilogy

I tend not to plan much ahead in my life, and back at the beginning of this year I had no idea that I was going to publish a series of three novellas during 2014 – marking the launch of what I hope will be an on-going career as an indie author.

The Windflower Vibration, the third book in the trilogy, has just come out. Please read on for the blurb, and details of a free offer on the e-book version.

“A man dies while swimming off an Auckland beach. Georgina is out walking with her grandson when the rescue helicopter arrives, and they become involved in the aftermath of the event. Was this man’s death due to natural causes hastened by medical malpractice? Or was it one strand in a complex web of events, spread over two hemispheres and two centuries, involving homeopathy, Elgar’s violin concerto, forbidden love affairs and a sick dog? Georgina’s life has seemed empty following the loss of her husband, but by the end of her quest to unravel these mysteries she has found a new purpose. Set partly in England and partly in New Zealand, The Windflower Vibration can be read on its own or as a sequel to Jennifer Barraclough’s earlier novellas Carmen’s Roses and Blue Moon for Bombers.”

The Windflower Vibration is available in both print and ebook versions from Amazon and other online stores. Between now and the end of this year, I can offer readers of this blog a free copy of the e-version from Smashwords: if you are interested, click on this link and enter the coupon code GP73W at check-out.

I would hugely appreciate your help with marketing; please consider posting a star rating, writing a brief review on Amazon or elsewhere, sharing this message with your contacts and/or asking your local library to buy a copy – thank you so much.

When doctors become writers

Several of my friends and acquaintances have, like me, exchanged a career in medicine for one in creative writing.

Some had to retire early from medicine because of illness or family circumstances. Some chose to leave the profession after becoming “burnt out” by the continual exposure to human suffering, the weight of responsibility for people’s lives and health, frustration with the administrative aspects, or the long hours. Others were simply driven by an overpowering desire to write. For me, after 30 years in medicine, the reasons were mixed.

Working as a doctor provides a wealth of material for fiction writing. Although the settings of my own three novellas are mainly non-medical, drugs and diseases play crucial roles in all their plots. The risks of breaching patients’ confidentiality, libelling professional colleagues or offending readers’ sensibilities must be kept in mind, and I am currently debating whether the satirical novel which I wrote while working as a junior doctor in a psychiatric hospital is too politically incorrect to publish.

Unlike such well-known figures as Somerset Maugham, Anton Chekhov and Arthur Conan Doyle, most “physician-writers” will never achieve fame and fortune as authors. They will usually experience a drop in income and status and, no longer having a structured work environment or daily interaction with colleagues, must become entirely self-motivated. Life coaching can help with adapting to the transitions and, in my experience, the freedom and stimulation of developing a new career in mid-life more than makes up for the losses.

Outside criticism, and self-criticism, may suggest that those who choose this path are no longer making a worthwhile contribution to society. This is only partly valid, for the written word can have marked effects for better or worse on people’s well-being. I am always delighted if someone tells me they have benefited from one of my medical books or enjoyed one of my novels. But while doctors have direct contact with their patients and are usually able to tell whether their treatments have healed or harmed, writers do not meet the majority of their readers and will never know the wider impact of their books.

 

 

Other writers: competitors or colleagues?

Writing is a solitary occupation. Most writers prefer to work on their own in a quiet room without interruptions from people, pets, phone calls and texts, or noises from the street. Such a peaceful environment is often unavailable, as I have been finding lately since having two mischievous foster kittens in the house.

Despite their wish for peace and solitude, writers do benefit from contact with the outside world in general, and with other writers in particular. But for a number of reasons they may not get very much. Members of most other professions can hardly avoid forming peer relationships whether through a shared workplace, a culture of teamwork, or requirements for continuing education and supervision. In contrast, writers seldom meet other writers unless they make the deliberate effort to join societies and groups, whether in person or online, and to attend events and courses. Many of them have introverted personalities and are not naturally drawn to social activities, perhaps viewing them as an added distraction from the serious business of writing. Also, they may regard themselves as in competition with each other for sales, or be wary of having their ideas stolen if they share them before publication.

Abuses can occur, but I think the benefits of contact with other writers outweigh the risks. Since making a serious commitment to fiction writing I have gained a lot through discussions in Linkedin groups, and occasional personal interchanges with the four other women writers in my circle of friends. We have reviewed each others’ manuscripts, exchanged tips about the self-publishing process, and provided encouragement when the going gets rough due to lack of inspiration, technical problems, or negative responses to our work. I have been meeting one of these friends, Jean, for coffee about once a month for several years, during which time both of us have self-published a number of books.  We met in Auckland, then discovered that we were brought up in the same English town, Gravesend in Kent, a few years apart; one of Jean’s books, Chalk Pits and Cherry Stonesgives a fascinating account of her wartime childhood there.

 

 

Choosing, and changing, the names of your characters

The important and enjoyable task of naming fictional characters is not always straightforward.

Most people find that certain names suggest certain features of personality and appearance. This reflects their own life experience. So, while the name Carol might remind me of the placid blonde in my class at school, you might picture Carol as a feisty brunette.

There is nothing to be done about these individual variations, but all names have universal associations too, and it is worth looking them up. Some names relate to particular ethnic, cultural or religious groups or periods in history. Some are intended to convey personal qualities such as courage or charm.

Names which belonged to well-known celebrities, Diana or Marilyn for example, are probably best avoided. It is also best to avoid using several similar names, such as Sara and Sandra, in the same book.

Modern word-processing technology makes it deceptively simple to change characters’ names. Such changes can cause problems, as I have found in my own work and when reviewing manuscripts for friends.  Sometimes the same person is called by different names in different parts of the book. It should be easy to avoid this by using the “Find and Replace” function, however this powerful tool can have serious unwanted effects if carelessly used. For example changing Amy to Katy, without matching the case or specifying whole words only, would cause and the word “dreamy” to turn into “dreKaty”.

My own over-sensitivity to being criticised or offending people has caused me concern around the choice of names. What if one of the several Roberts I know is upset if he finds that I have called one of my less attractive characters by his name? What if a complete stranger brings a libel action because I have unwittingly used his or her name in a book? Such fears led me to change a few names in my first novel just before it went to print. But I still thought of my characters by their original names, and when I wrote the second novel I used one of them by mistake. Fortunately, while writing the third, I realized what I had done and have been able to get round it by introducing a new twist to the plot.

In conclusion, it is best to avoid last-minute name changes, but if you do decide they are necessary be sure to follow up with a careful check of the whole text.

 

Marinading a manuscript

When writing a new book I often feel impatient to finish it. There is really no need for this, considering that I enjoy the actual process of writing so much, and know that I am likely to feel a depressing sense of anticlimax when it is done. Melodramatic though it sounds, perhaps I am afraid I might die before the book is complete.

Modern self-publishing technology makes it easy to rush into print too soon. The front page of the Amazon kdp website says Get to market fast … Publishing takes less than 5 minutes. What a contrast to the old days when writers usually had to wait several months for agents and publishers to respond to a proposal, implement any changes requested during the assessment process, and then wait several more months between acceptance and publication.

I try not to be impatient because I know most books turn out better if they are written slowly, going through several revisions with gaps in between. When re-reading a draft manuscript after several weeks or months, I often have new ideas about how to improve it, and discover mistakes or inconsistencies which I did not notice before.

Though this slow staged method works best in most cases, it does not suit everyone. Some of the most brilliant writers – and artists, and composers – have produced their best work through a single burst of creative inspiration, not needing to revise it at all.

This is all a bit like cooking. A skilled chef using top quality fresh ingredients can produce delicious meals in a few minutes, but for the average cook most dishes are improved by being marinaded in the raw state and then being cooked slowly, and taste even better if reheated a day or two later.

I’ve just finished the first draft of my third novella, which will form a trilogy with Carmen’s Roses and Blue Moon for Bombers. I intend to discipline myself to put the new manuscript aside for a few weeks before doing any more work on it, and in the meantime start writing something different, step up my marketing activities, or even clean out some cupboards at home.

“Letting go of the outcome” for writers

My earlier books were published in the traditional way. My own role was limited to writing the text and checking the proofs. I knew nothing about marketing, and was content to wait for the royalty cheques to arrive once or twice a year. Those early books sold well anyway, because they had a ready-made market in medical circles.

How different things are today, when the ease of independent publishing has resulted in a vast number of new books. Even traditional publishing firms now expect authors to promote their own work. While some books still achieve high sales, the majority sell only a few copies. Self-published writers are bombarded with advice on marketing and many spend huge time and effort, and sometimes a great deal of money, practising the recommended strategies with only modest success. They often become frustrated; feeling uncomfortable with the concept of self-promotion, resenting the time and energy spent on marketing instead of actual writing, unable to resist obsessionally checking their sales figures online.

Maybe it would be better to follow the advice of the spiritual gurus and self-help experts who teach about the Law of Attraction. These principles, of course, apply in all aspects of life besides writing. In summary: Do what you love, focus on what you want rather than what you don’t want, visualise the desired results, and cultivate the positive emotions you would feel if they had already materialised. Take practical steps when required, but don’t struggle to achieve your goals. If you intuitively feel you are on the right path don’t be diverted by outside criticism, by your need for approval, or by your hope of financial reward. Instead of trying to control the exact nature and timing of the outcome by conscious effort, do your own part as best you can, and then hand the process over to the wisdom of the unseen forces which you may choose to call Spirit, the Universe, Fate, or God.

These powers work in mysterious ways. Many times in my own life, I have found that the result of actions I have taken is different from what I had expected or hoped for – and even if disappointing in the short term, it has often turned out for the best later on. Having the publishing contract for Persons not Diseases fall through at the last minute was the temporary setback which gave me the stimulus to explore the new world of  indie publishing. Conversely, sometimes the desired outcome does materialise but in unexpected ways. Last week I sold several books not as a result of deliberate marketing, but through chatting to some people at a party, and through writing a blog post about cats.

As regards timing, we may want and expect quick results, but with modern publishing technology – ebooks, and print on demand paperbacks – books can easily be updated and need never go out of print. Some of those which did not do well after their first release will go on to become late bloomers. But even those which never sell many copies will have been worthwhile if their authors benefited from the process of writing them, and just a few people benefited from reading them. After all, with rare exceptions, authors never hear from the readers whose lives have been touched by their books.

Trust in the Law of Attraction needs to be balanced with practical action. I have recently set up a Mailchimp newsletter which will come out just two or three times a year with details of any new books I have written, or any special offers. If you would like to sign up to receive it, please click on the link http://eepurl.com/325yj or paste it into your browser.