Writing is a solitary occupation. Most writers prefer to work on their own in a quiet room without interruptions from people, pets, phone calls and texts, or noises from the street. Such a peaceful environment is often unavailable, as I have been finding lately since having two mischievous foster kittens in the house.
Despite their wish for peace and solitude, writers do benefit from contact with the outside world in general, and with other writers in particular. But for a number of reasons they may not get very much. Members of most other professions can hardly avoid forming peer relationships whether through a shared workplace, a culture of teamwork, or requirements for continuing education and supervision. In contrast, writers seldom meet other writers unless they make the deliberate effort to join societies and groups, whether in person or online, and to attend events and courses. Many of them have introverted personalities and are not naturally drawn to social activities, perhaps viewing them as an added distraction from the serious business of writing. Also, they may regard themselves as in competition with each other for sales, or be wary of having their ideas stolen if they share them before publication.
Abuses can occur, but I think the benefits of contact with other writers outweigh the risks. Since making a serious commitment to fiction writing I have gained a lot through discussions in Linkedin groups, and occasional personal interchanges with the four other women writers in my circle of friends. We have reviewed each others’ manuscripts, exchanged tips about the self-publishing process, and provided encouragement when the going gets rough due to lack of inspiration, technical problems, or negative responses to our work. I have been meeting one of these friends, Jean, for coffee about once a month for several years, during which time both of us have self-published a number of books. We met in Auckland, then discovered that we were brought up in the same English town, Gravesend in Kent, a few years apart; one of Jean’s books, Chalk Pits and Cherry Stones, gives a fascinating account of her wartime childhood there.
The important and enjoyable task of naming fictional characters is not always straightforward.
Most people find that certain names suggest certain features of personality and appearance. This reflects their own life experience. So, while the name Carol might remind me of the placid blonde in my class at school, you might picture Carol as a feisty brunette.
There is nothing to be done about these individual variations, but all names have universal associations too, and it is worth looking them up. Some names relate to particular ethnic, cultural or religious groups or periods in history. Some are intended to convey personal qualities such as courage or charm.
Names which belonged to well-known celebrities, Diana or Marilyn for example, are probably best avoided. It is also best to avoid using several similar names, such as Sara and Sandra, in the same book.
Modern word-processing technology makes it deceptively simple to change characters’ names. Such changes can cause problems, as I have found in my own work and when reviewing manuscripts for friends. Sometimes the same person is called by different names in different parts of the book. It should be easy to avoid this by using the “Find and Replace” function, however this powerful tool can have serious unwanted effects if carelessly used. For example changing Amy to Katy, without matching the case or specifying whole words only, would cause and the word “dreamy” to turn into “dreKaty”.
My own over-sensitivity to being criticised or offending people has caused me concern around the choice of names. What if one of the several Roberts I know is upset if he finds that I have called one of my less attractive characters by his name? What if a complete stranger brings a libel action because I have unwittingly used his or her name in a book? Such fears led me to change a few names in my first novel just before it went to print. But I still thought of my characters by their original names, and when I wrote the second novel I used one of them by mistake. Fortunately, while writing the third, I realized what I had done and have been able to get round it by introducing a new twist to the plot.
In conclusion, it is best to avoid last-minute name changes, but if you do decide they are necessary be sure to follow up with a careful check of the whole text.