Category: Books and Writing

How to find time for writing

~ Jennifer Barraclough ~ 1 Comment

I haven’t done much writing lately, because of various events – two conferences, family health problems, house guests from overseas – all coming together in the same few weeks. Some of these happenings are predominantly pleasant, others more stressful, but all of them have altered the usual rhythm of domestic life and taken time and energy away from writing. This has prompted me to revisit some principles from my life coaching days – simple basic advice, but so easy to neglect.

Prioritise what is important: Besides writing, there are various activities – for example exercise, social contact, some form of relaxation – which it is good to carry out every day to promote health and well-being. In contrast, anything which is being done out of habit or a sense of duty but is not really pleasurable or worthwhile, could perhaps be set aside.

Set personal boundaries: being able to devote adequate time to the important things may require setting boundaries against those of lesser importance. This means learning to say ‘No’ to unwelcome requests from other people, as discussed in a previous post, and perhaps also being firmer with yourself if you are prone to be distracted by trivia like checking for emails too often or staying too long in coffee shops. Focusing on one activity at once is more efficient than multi-tasking.

Organise your schedule: although some people prefer to write only when they feel inspired, or when conditions happen to be right, many serious writers find it best to set aside a regular time and place for their daily work. If you are disciplined about keeping to this schedule, family and friends will usually respect your commitment and understand that you do not wish to be disturbed.

Accept what cannot be changed: some events, difficulties and distractions are beyond personal control. It is a waste of energy to get frustrated and complain about them, but better to be flexible and accept them with a good grace. In the words of the ‘Serenity prayer’:

Lord, grant me the strength to change the things I can, the serenity to deal with the things I cannot change, and the wisdom to know the difference.

After all, a temporary disruption to the writing schedule will probably not matter very much in the long term; and even unwanted experiences form part of ‘life’s rich tapestry’ and may provide material for a new piece of writing at some later date.

Incidentally – three of my ebooks are on a Smashwords promotion this week, 2-8 March, for just $1.50 USD each. Here’s the link.


Breaking the rules of creative writing

~ Jennifer Barraclough ~ Leave a comment

Regulations, bureaucracy and ‘guidelines’ pervade many aspects of modern life. This is especially true in public sector professions such as healthcare and teaching, but also affects workers in many other spheres including the self-employed. So I found it refreshing to hear from life coach Drew Rozell about a method of practice which he calls uncoaching. In summary, he suggests the best way is to ignore the rules – be yourself – and have fun!

Do these same principles apply for writers? I would say yes – to some extent. Like those in any other profession, writers do need to acquire relevant background knowledge and skills, respect certain ethical and legal standards, and devote sufficient time and effort to practising their craft. They can benefit greatly from attending courses, and seeking guidance and criticism from more experienced colleagues. This is all to the good if done in such a way as to help, and not hinder, development of each individual’s original ‘voice’.

Writers of fiction are often advised that a novel needs to fit a defined genre, conform to a standard structure, or be a certain length – see for example the detailed guidelines on the Mills & Boon websites. I realise there are sound commercial reasons for this, and that it is difficult for publishers to market books or for readers to find them unless they belong to a recognised category. But, if authors become too compliant with mainstream convention, the result may be an over-emphasis on form as opposed to content, and a stifling of creativity.

While writing these comments, I was reminded of the points for and against the ‘disease model’ used in orthodox medicine, which I discussed in my book Persons not Diseases. This model has enabled many advances in prevention and treatment, and it is obviously necessary to use some kind of classification in the healthcare setting. But if applied too rigidly or uncritically it can have drawbacks such as too much separation between medical specialties, unhelpful ‘labelling’ of patients, a poor deal for those whose symptoms do not fit with recognized patterns, and possibly discouraging new ideas and approaches. 

For writers, following a tried-and-tested recipe may well be the most reliable route to success. But, as a typical ‘Woman of Aquarius’ (see my other blog) I rate freedom as one of my top personal values and, for me, fulfilment through writing comes from original self-expression rather than the ability to follow a formula. This attitude has counted against me in the publication stakes and in younger days I wrote several novels which were given serious consideration by many publishers but always rejected in the end. The reason usually given was that they did not fit a recognised genre and were not good enough to flourish ‘outside the box’.  I don’t challenge that verdict, and if I ever look at those faded typescripts again I will probably be glad that they were not accepted.

But recently, after many years of non-fiction writing, I tried my hand at another novel and decided that in the modern era of independent publishing it is not so essential to conform to the guidelines. So I went straight for the indie option with Carmen’s Roses, now available on Amazon as both ebook and paperback. It breaks a number of the rules of creative writing. It is short, at 30,000 words. As ‘a story of mystery, romance and the paranormal’ it doesn’t fit any single category. It may not appeal to readers of my non-fiction books, with its different style and darker themes. But, if you’d like to take a look, here again is the link.

Novels with a message

~ Jennifer Barraclough ~ 1 Comment

I’ve just seen the film The Railway Man, based on an autobiographical novel by former prisoner-of-war Eric Lomax, and described in reviews as an ‘intense emotional drama’. It explores themes of confronting past traumas, and moving from revenge to forgiveness, and appeared to engage the whole audience.

Do novels, films and plays always need to carry ‘messages’ designed to affect the outlook and emotions? Not according to the saying art for art’s sake which implies that creative works are worthwhile in themselves and do not have to be justified by any practical, educational or moral function.

For novels, according to this philosophy, providing pleasure and satisfaction for both writers and readers would be sufficient raison d’être. They need not aim to change people’s attitudes or improve their minds. All the same, messages of one kind or another are probably to be found within every piece of fiction, and can enhance its interest and value even when they are not consciously intended or recognised. 

Didactic novels, deliberately promoting certain ethical or political principles, can have the desired influence if they are well written and have a strong storyline. Otherwise they sometimes come across as patronising or contrived. Messages transmitted indirectly, as a subtext revealed through the speech or actions of the characters, can be more effective. They may prompt reflection on questions (is killing ever justified? do we reap what we sow in life?) on conflicts (good versus evil, pleasure versus duty, individual versus society), on the nature of human qualities such as courage or ambition, or virtually any other topic.

After years of writing non-fiction books, mainly medical ones, I recently published my first novel Carmen’s Roses. At surface level it is an easy-to-read (I hope) story of mystery and romance. Having taken shape gradually, inspired from various different sources, it was not meant to include any specific messages. But it has turned out to have several themes, including the contrast between orthodox and alternative models of sickness and healing, the darker side of human relationships and, again, the power of forgiveness.

 

 

Why write a bio?

~ Jennifer Barraclough ~ Leave a comment

Several people I know have recently written their life stories, and they all say it was a rewarding experience.

I would suggest that there are three main motives for writing an autobiography. First is to provide family and friends with a record of a life which, whether because of old age or serious illness, seems likely to be nearing its end. Some hospices offer programmes to help their patients with this, and there are commercial firms which provide a paid service. Such accounts may not be ‘well written’, or contain anything out of the ordinary, or hold much interest for anyone who did not know the writer. But they are usually much appreciated by the relatives for whom they are mainly intended – though some have the effect of reviving old conflicts, or exposing family secrets. These documents may also prove valuable to any social historians who happen to come across them in the future.

A second motive is to describe achievements or experiences of an unusual kind – surviving an ordeal such as abuse or serious illness, or becoming a celebrity in a certain field. Autobiographies of this type, some of which are ghostwritten, are more likely to be published and can sell very well. They often focus on just one period or aspect of the person’s life, rather than providing a complete chronological account. My late uncle’s book Geoffrey Guy’s War: Memoirs of a Spitfire Pilot 1941-46, which I had the privilege of editing after he died, comes into this category and I did eventually find a publisher for it. 

I don’t have any children myself, and have never done anything particularly remarkable, so none of the above would apply to me and if I ever did write my autobiography it would be from a third motive, which is to review my life in the hope of finding some meaning and purpose in it all. What have I learned from my experiences, including the mistakes I have made? What difference, for better or worse, have I made to the world? Are there any recurring patterns or themes weaving through the different threads?

At present I have no plans for such a book. I think it would be difficult to write, and the end result could seem embarrassing and pretentious. There would be some things – perhaps the most significant ones – which I would rather not put on record, whether for my own sake or that of other people. And, not having kept a regular diary all my life, there is a lot which I don’t remember – though friends tell me they were surprised to find how easily old memories did come back once they started to write.

Books in other genres, including fiction, are usually autobiographical to some extent whether their authors realise it or not. This is certainly true of my own forthcoming novel, in which the characters and events can fairly be called imaginary and yet were no doubt partly inspired by material from my own past.

Judging a book by its cover

~ Jennifer Barraclough ~ 3 Comments

Although it may be true that ‘You can’t judge a book by its cover’, it is often just a split-second glance at the cover image which decides a potential reader whether or not to look inside.

A good cover is one that immediately attracts attention of an appropriate kind. ‘A picture tells a thousand words’ but these may be different words for different people. This is illustrated by the so-called ‘Gestalt’ images which can be seen in two ways: a face or a vase, a young woman or an old witch. Elsewhere I’ve described a bad experience when I showed a picture of a trapeze artist during one of my talks; this was intended to represent courage and joy, but one member of the audience thought it was a woman hanging herself.

Does your chosen cover image accord with the content of the book, and convey the corresponding mood of adventure, mystery, romance or relaxation? Colours are important, and all colours have psychological qualities, which can be modified by the shades and combinations chosen. Red, orange and yellow are usually stimulating; green, pinks and blue are calming; violet and indigo are spiritual. Cultural background affects the interpretation, for example in my own European tradition the colour of mourning is black, but in various other parts of the world it is white, purple, yellow, blue or grey. 

The lettering on the book cover needs to be reasonably large and clear, otherwise the title and the name of the author will not be legible from the thumbnail image often used on computer screens.

The cover image for the ebook version of my recent book Persons not diseases on Smashwords was designed with professional help. I was pleased with it, but when it came to self-publishing the same book in paperback on Amazon CreateSpace – the first time I had used this system – uploading the existing image was beyond my limited computing skills, so I opted for making a brand new one with the easy-to-use templates provided. The two covers are completely different – personally I like them both, but would be interested in readers’ comments about which they prefer. You can view the Smashwords one here and the Amazon one here.

Goal-setting for writers

~ Jennifer Barraclough ~ Leave a comment

Is it better to structure the process of writing a book by setting goals, timetables and routines – or to let yourself be spontaneously guided by opportunity and inspiration?

Many successful professional authors approach their work in a highly organised way. For example they might have a system of completing one new book each year, like the late Dick Francis who wrote over 40 best-selling thrillers set in the world of horse-racing. He began writing a new book every January, and finished it in May, ready for publication in September. Then after a summer holiday break he combined promotional events for the new book with planning and researching the next one, to be started the following  January. Some set themselves a rule of writing for a certain number of hours per day, often at the same time in the same place. Some like to produce a consistent daily word count, while others might be content to spend all morning revising a single paragraph.

The structured approach is suitable for those who like a regular lifestyle, who need to maintain a steady output of new material to earn their living, or who tend to procrastinate unless they discipline themselves. But goals, timetables and routines are tools to help with achieving your broader aims, rather than ends in themselves, and allowing yourself to be rigidly controlled by them can produce needless stress. Sometimes it pays to be flexible in response to variations in your own energy levels, or to external events. If circumstances prevent you from meeting a ‘deadline’ this can seem most frustrating, however it may turn out that the delay was all for the best in the long term; perhaps it gives you time to polish your work, or for market conditions to improve, or for better ideas and opportunities to appear. Even if you never achieve the goal, this could be a blessing in disguise; looking back, I am glad that the manuscript of the novel which I once tried so desperately to get published was never accepted. As the Dalai Lama says ‘Sometimes not getting what you wanted can be a wonderful stroke of luck.’ Also, goals need to be reviewed from time to time to see if they are still appropriate. When I started this blog I resolved to write one post each week, but only for so long as I had plenty of ideas for topics, and then to space them out. This time is now coming so I shall be posting less often here, but more often on my other blogs Jennifer Barraclough Bach Flowers and Woman of Aquarius.

If you are passionately involved with your current writing project, there is no need for rules and routines. Intensive bursts of creative inspiration may only come once in a lifetime and it can be worth making the most of them, even if it means going short on sleep, exercise, and time with family and friends for a while. In her autobiography, Agatha Christie describes how she wrote Absent in the Spring, published under the pen-name Mary Westmacott. After an incubation period of several years, the story and characters suddenly fell into place in her mind and she wrote the entire book as a single draft ‘in a white heat’ over three days, determined to get it all down on paper without interruptions to break the flow. After it was finished she was exhausted, went to sleep for 24 hours and then ate an enormous dinner. This book, though not nearly so well known as her crime novels, is the only one which satisfied her completely. 

Why many writers don’t like marketing

~ Jennifer Barraclough ~ 3 Comments

Like most authors I know, I feel more comfortable with writing books than promoting them. But I realise that publishing a book, and then making little effort to market it, is a bit like giving birth to a baby and then failing to look after it properly. To continue this analogy, just as pregnant mothers need good nutrition to help protect their children’s future health, experts recommend that authors need to start marketing their books several months before publication.

Marketing is essential to make your own book stand out from all the many other competing titles, especially if it is self-published. So why do so many of us find the process daunting, or have negative perceptions towards it?  I think there are three main reasons:

1. You regard your work on the book as complete. After putting so much time and effort into writing and publishing it, you are (hopefully) proud of the finished result, but also perhaps feel rather tired of the whole thing. You would like to start on the next book, or to do something completely different from writing, rather than  focus on marketing. But in this situation it is not enough to visualise high sales and then ‘let go of the outcome’; you need to take practical action to get your book noticed and reviewed.

2, You feel diffident about putting your book forward. You may fear being rejected, criticised or ignored. If you were brought up to be modest about your achievements, you may feel there is something ‘not quite nice’ about marketing, that it smacks too much of self-promotion. It may help to think about the process as being about your book rather than about you as a person, and to remember that no readers will be able to enjoy or benefit from your writing unless they know of its existence.

3. You do not know how to do it. Many writers do not have a business background or any training in sales and marketing techniques. But there is a huge amount of free guidance online, as well as a variety of paid courses. These suggest many different methods of marketing, to suit different personalities. Some writers enjoy giving public talks or taking copies along to bookshops and meetings, whereas others would rather develop their websites and blogs or take advantage of easy-to-use platforms such as an Amazon author page – you can see mine here. There are professional agencies which will mount a campaign on your behalf, but my own single experience with this method proved an expensive failure, and so for my latest book Persons not Diseases I am tackling the marketing myself.

Values and virtues for writers

~ Jennifer Barraclough ~ Leave a comment

Leaving aside any financial motivation, why do you write? And how can your work promote fulfilment and self-development for yourself and your readers? This post is about personal values and virtues  – those abstract qualities which according to your own individual outlook on life are important and worthwhile, and can be expressed through your writing and other activities.

Many of the sites about values and virtues which can be found online name 100 or more different items. Here are some examples of the qualities relevant to writers.

Achievement: The satisfaction of completing a piece of work and having something tangible to show for your efforts.

Adventure and Challenge: Exploring new subject-matter, techniques, publishing avenues; you may be happier travelling to new places to gather material than sitting at your desk.

Beauty: Creating work which is aesthetically pleasing, whether in the elegance of its wording or the appearance of the printed format.

Contribution and Service: Making the world a better place through the spread of knowledge and ideas.

Co-operation: With editors, contributors, formatters, designers, IT consultants and publishers.

Courage: Daring to put your writing out into the world despite being anxious about self-disclosure or criticism; writing about painful or controversial subjects.

Creativity: This is obvious.

Freedom: Writing, especially for self-published authors, offers great independence and flexibility compared with most other occupations.

Humility: Willingness to take advice, and to learn from criticism.

Kindness and Tolerance: To be kept in mind when writing about other people, or when reviewing others’ work.

Learning and Discovery: Both for yourself and your readers.

Patience and Perseverance: It takes months or even years to write a book of good quality, then there can be another long wait before seeing it in print.

Pleasure, Fun, Humour: The enjoyment of writing. You just love doing it, and perhaps do not care very much whether other people want to read your work.

Relationships: Though you may seldom meet your readers face to face, and may never know how most of them have responded to your work, the impact you have on them is vitally important.

Spirituality: Whether or not you cover spiritual topics in your work, you may consider the calling or vocation of writing to be part of your ‘soul’s purpose’.

None of these qualities are ‘better’ than others, but some of them will rate more highly in your personal worldview. Considering which of them seem most important will help you to choose the most appropriate genre and subject-matter, and the best context in which to work, and to decide how much time and effort you want to devote to marketing as opposed to writing itself. Although you may sometimes be willing to compromise in order to meet the requirements of publishers, readers or employers, your work will not feel completely satisfying unless it is well aligned with your personal values.

Writer’s block

~ Jennifer Barraclough ~ 2 Comments

Inspiration tends to come in bursts. There are times when writers are full of ideas, and other times when they have none. This is always frustrating, and for those who earn their living from writing or have publishing deadlines to meet it can be a major problem.

There may be an obvious reason for feeling blocked. I always find myself unable to engage with a new book immediately after finishing the last one, even though I am only really satisfied and happy when I have a writing project underway. I am going through one of these ‘fallow periods’ at present, following the challenge and stimulation of publishing my latest book on Amazon, and am making use of the time to organise and de-clutter the paperwork in my office and the files on my computer.

I have discussed some of the other causes for writer’s block in previous blog posts, for example striving too hard for perfection, being upset by having had your writing criticised or rejected or by adverse experiences in another sphere of life, having too much else to do because of never saying no.

Another possibility is depressed mood. Many writers and other creative people are prone to experience mood swings, due to having the normal variant of personality called ‘cyclothymia’ or less often the serious mental illness of bipolar disorder (formerly ‘manic depression’). During ‘high’ phases, new ideas flow faster than they can be written down; during ‘low’ ones the mind feels sluggish and blank and any thoughts are morbid ones.

Besides dealing with any remediable causes, there are various strategies for overcoming writer’s block. If circumstances permit it can be a good idea to take a complete break from writing and do something else for a day or two or maybe longer. Preferably this will involve activities, people and places which are completely different from those encountered in your usual routine and will provide new ideas. Other forms of creativity, such as painting or dancing, can be particularly helpful.

Or, discipline yourself to keep on writing for a set period each day, but again try doing it with a new approach. Clear the clutter from your desk to encourage a fresh start. Write a short and simple piece instead of attempting the major work on which you are ‘blocked’. Some authorities suggest inducing a relaxed state with deep breathing and slow music and then using your non-dominant hand to write something – anything – which even if it turns out to be nonsense may still stimulate the creative flow. Or try writing late at night or early in the morning, when you are half-asleep and more able to access the reservoir of images and memories in the subconscious  mind.

Getting started again often presents the biggest barrier, and if you can get past that it will usually be much easier to continue.

Free e-books?

~ Jennifer Barraclough ~ 2 Comments

I’ve now self-published four ebooks on Smashwords. I decided to make one of them, which is a short guide to Bach flower remedies, free of charge and not surprisingly this has ‘sold’ far more copies than any of the other three which cost just $2.99 USD each.

Now that there is so much free material available on-line it is understandable that many people are reluctant to pay for ebooks. Would you be well advised to make yours free? There are various pros and cons.

Free ebooks could be a good idea for some writers, for example those who simply want as many readers as possible and do not care about making money. Or, if you wrote your book with the aim of helping others in need or mainly for the interest of your family and friends, you may feel it would be inappropriate to accept payment for it. Even if you are more commercially inclined, you may consider giving away one of your ebooks as a ‘loss leader’ in the hope of getting your name more widely known and encouraging sales of your other work.

On the other hand there are several reasons for charging. As one of the many part-time writers whose main income comes from other sources I don’t need or expect to make any significant profit from my books, but I do feel it is reasonable to want some financial return for all the work which goes into them, and to cover expenses. Although self-publishing is much cheaper than it used to be there are costs involved for formatting, editing, cover design and marketing, whether you employ expert help for these aspects or acquire the skills and equipment to manage them yourself. Then there are the ‘opportunity costs’ incurred by spending time on writing rather than paid work. It seems bizarre that when I was in clinical practice I could earn more from a one-hour consultation with a client than from a book which took literally thousands of hours to write.

While there are many excellent free ebooks available, the quality of others is very poor. Some writers, perhaps without realising it, feel that if they are not going to charge for their book it is alright to take a casual approach towards content, grammar, spelling and layout, instead of aiming to make it ‘the best it can be’.  I believe that if the self-publishing of ebooks is to be valued as a respectable undertaking with high professional standards, new writers should usually put a price on their work.

Lastly, ‘people value what they pay for’. Many free ebooks get downloaded, but I wonder how often they are actually read.