Coping with rejections, criticisms and bad reviews

Unless they are either outstandingly good or remarkably thick-skinned, most writers will find themselves disappointed by rejection or hurt by adverse criticism from time to time. The challenge is to learn from these experiences without being overwhelmed by their emotional impact.

It can be helpful to realise that negative responses are seldom just about you or your book. Rejection from traditional publishers does not always reflect badly on the quality of your work, because firms only have the capacity to take on a limited number of new books each year and will tend to select the ones considered most likely to be a commercial success. So they have to reject the majority of submissions they receive, including ones which are well written as well as those which are not. Occasionally they get it wrong – Gone with the Wind, Chicken Soup for the Soul, Catch 22 and Moby Dick are examples of books which were rejected many times before becoming classic best-sellers, perhaps because they did not fit into a standard genre or were ‘before their time’. Now that self-publishing has become so much easier, cheaper and more acceptable than in the past, many writers are going straight for this option rather than risk the rejections and delays which are so often encountered on the traditional route.

Similarly, negative criticisms and reviews should not necessarily be taken too much to heart. Some critics base their judgements largely on their own personal taste, so the same book will be praised by one but reviled by another. Some do not take the trouble to phrase their comments in a sympathetic and constructive way, and perhaps a few of them gain sadistic pleasure from condemning a book they dislike. If you have faith in your own judgement you do not have to accept an outside verdict which does not ring true, especially if finding personal satisfaction through writing is more important to you than rapid publication and high sales.

On the other hand there is usually something worthwhile to be learned from rejections, criticisms and bad reviews, however unfair and unkind they first seem. If you can swallow your pride, and try to take a detached look at your work from the reader’s point of view, you may realise that your critics had some valid points. If you are feeling so upset that you cannot move forward, perhaps consider a course of Bach flower remedies; there’s a forthcoming post on my other blog about how these can help with ‘life event stress’.

I remember from years ago how dispiriting it was to have my first novel repeatedly rejected, and feeling devastated when one assessor described its heroine as ‘not a very nice girl’. Nowadays I am more philosophical; after all, you can’t please all of the readers all of the time. And, if a book gets thoroughly slated following its publication, some people may actually buy it to see just how awful it is. Any review, whether favourable or not, will make your book more likely to be noticed than those many others which are not reviewed at all.

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